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      by Jim Drake

 

March 24, 2010

Interview with Rita Hosking 

1. I just listened to the song previews for “Come Sunrise,” your new  album, and I must say, I'm really impressed. How does this material compare with the other two releases?

Thanks!  I recorded “Come Sunrise” in Austin, Texas, with producer and guitar player Rich Brotherton (Robert Earl Keen Band). This time around I wanted to get the help of an experienced producer, as well as a top-notch studio for the best sound quality.

You could sum it up as a desire to have my songs treated like the songs of so many well-known Americana artists — I wanted to give them that chance. Rich used his studio and band friends — Lloyd Maines, Warren Hood, Glenn Fukunaga, Danny Barnes, and so on.

My record before that, “Silver Stream,” is more the sound of my band (as we sounded in 2007) doing lots of my songs and a few covers in a live sort of way. 2005's “Are You Ready?” was my debut, with lots of great songs that had been stewing for sometime, but perhaps with less expertise in song arrangement.

 

2. You won't have a full band for the Hood River show, but you'll be teamed up with Rachel Harrington, who you've been touring with this year. Will you guys work together for the whole show or do you each do a set and then collaborate for a few songs?

For the last few shows, we have each played our own sets, but we invite each other up to sing on a couple songs. We're enjoying singing with each other very much — it's still a new thing.

 

3. Talk a little about the song-writing process for you. Is it music first or lyrics?

I would say that it is often both together — a melody and a short lyric.

Many times the melody wins over and the lyrics change, however. There were times early on where I wrote tons of lyrical material and then found a melody to fit, but I rarely find myself doing that anymore. I'm usually looking for a few words and bit of melody that fit together, some kind of seed that can grow. It usually sounds like half-nonsense until I have time to sit down and flesh out the lyrics.

 

4. It's apparent that you bring some bluegrass flavor into your music. Who inspires you from this genre nowadays?

Oh let's see, Hazel Dickens is my favorite bluegrass writer. However, I'd argue that although she's known as a “pioneering woman in bluegrass,” she is just as much old-time country.

All those genres crisscross all the time. I sometimes find myself being told I'm “too folky” for the bluegrass festival, or “too bluegrassy” for the folk festival. I don't like confining myself to any genre, nor do most musicians, I'd wager. The audience knows good music, albeit “this” or “that.”

 

5. I'm sure you've heard this before, but your voice sounds a lot like Gillian Welch. Have you ever sat down and played music with her?

No, haven't done that. She's great, and she and Dave (Rawlings) are amazing performers; I love their depth and simplicity.

 

6. Your touring schedule indicates that you've got some UK gigs coming up, so I'm betting you've toured there before. What's it like touring in the UK vs. the USA?

I haven't toured there yet.  This summer will be my first time in the U.K.

I've heard that there is a really supportive community there for roots music, although they are being hit hard by the recession, as we all are.

I've been really pleased with the airplay and reviews that “Come Sunrise” has received there. Now, Rachel Harrington has performed there quite a lot — it's her main touring area. She has some great U.K. stories, and will no doubt tell them at the show on Friday! (And no doubt that I am, of course, getting lots of advice from her while we're on the road together.) Looking forward!

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Rita Hosking and Rachel Harrington will be in Hood River for a house concert on Friday, March 26, at 7 p.m. For more information call Paul Blackburn at 387-4011.